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It is my pleasure to propose you a unique program of baroque music. The program is arranged in such a way as to keep the audience listening attentively during the whole concert, despite the fact that the program pieces, being thoughtful and profound, are not so easy for the perception. In fact the whole concert is a well-produced and formed-up staging. The musicians are so sincere and inspired, that the audience can easily imagine that the music was not written 300 years ago, but was created before their very eyes, directly on the stage. The traditional sonatas are played in the original arrangements by Roman Kekhman. Throughout the concert his clarinets perform like a cello, an alto, a bassoon, and a flute. Thus, he chooses the bass clarinet to perform Sonata in G-Major A. Sakkinni. The audience appreciates very high his virtuoso technique of the clarinet in B in Sonata op. 37/2 and Sonata op. 37/3by Joseph Bodin de Boismortie. His clarinet in C sounds with the moving beauty and purity, when he plays Sonata in E-Minor by G. Schteltzel. Now and again each of the trio musicians becomes a soloist. Yakov Entin plays Sonata No. 2, Op. 5, No. 8, in E-Minor bу Arcangelo Corelli meditatively and expressively. The audience is captivated with the heartfelt and cordial emotions of the violinist. Corelli's music as played by Yakov Entin is comprehended by the audience in a contemporary and vibrant style.
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